[{"command":"settings","settings":{"basePath":"\/","pathPrefix":"ru\/","ajaxPageState":{"theme":"pure_spb","theme_token":"_zZb1ydZZ0RRtPlFZ5Wbs66VHrtzatlnQmKIH6sQj6U","jquery_version":"1.10"},"colorbox":{"opacity":"0.85","current":"{current} of {total}","previous":"\u00ab Prev","next":"Next \u00bb","close":"Close","maxWidth":"98%","maxHeight":"98%","fixed":true,"mobiledetect":true,"mobiledevicewidth":"480px"},"CToolsModal":{"loadingText":"Loading...","closeText":"Close Window","closeImage":"\u003Cimg typeof=\u0022foaf:Image\u0022 src=\u0022http:\/\/yacobsonballet.ru\/sites\/all\/modules\/ctools\/images\/icon-close-window.png\u0022 alt=\u0022Close window\u0022 title=\u0022Close window\u0022 \/\u003E","throbber":"\u003Cimg typeof=\u0022foaf:Image\u0022 src=\u0022http:\/\/yacobsonballet.ru\/sites\/all\/modules\/ctools\/images\/throbber.gif\u0022 alt=\u0022\u0417\u0430\u0433\u0440\u0443\u0437\u043a\u0430\u0022 title=\u0022Loading...\u0022 \/\u003E"},"main-popup-1":{"modalSize":{"type":"fixed","width":830,"height":600},"modalOptions":{"opacity":"0.85","background":"#000"},"modalTheme":"ModalFormsPopup","animation":"fadeIn"},"modal-popup-small":{"modalSize":{"type":"fixed","width":300,"height":300},"modalOptions":{"opacity":0.85,"background":"#000"},"animation":"fadeIn","modalTheme":"ModalFormsPopup","throbber":"\u003Cimg typeof=\u0022foaf:Image\u0022 src=\u0022http:\/\/yacobsonballet.ru\/sites\/all\/modules\/modal_forms\/images\/loading_animation.gif\u0022 alt=\u0022Loading...\u0022 title=\u0022\u0417\u0430\u0433\u0440\u0443\u0437\u043a\u0430\u0022 \/\u003E","closeText":"Close"},"modal-popup-medium":{"modalSize":{"type":"fixed","width":550,"height":450},"modalOptions":{"opacity":0.85,"background":"#000"},"animation":"fadeIn","modalTheme":"ModalFormsPopup","throbber":"\u003Cimg typeof=\u0022foaf:Image\u0022 src=\u0022http:\/\/yacobsonballet.ru\/sites\/all\/modules\/modal_forms\/images\/loading_animation.gif\u0022 alt=\u0022Loading...\u0022 title=\u0022\u0417\u0430\u0433\u0440\u0443\u0437\u043a\u0430\u0022 \/\u003E","closeText":"Close"},"modal-popup-large":{"modalSize":{"type":"scale","width":0.8,"height":0.8},"modalOptions":{"opacity":0.85,"background":"#000"},"animation":"fadeIn","modalTheme":"ModalFormsPopup","throbber":"\u003Cimg typeof=\u0022foaf:Image\u0022 src=\u0022http:\/\/yacobsonballet.ru\/sites\/all\/modules\/modal_forms\/images\/loading_animation.gif\u0022 alt=\u0022Loading...\u0022 title=\u0022\u0417\u0430\u0433\u0440\u0443\u0437\u043a\u0430\u0022 \/\u003E","closeText":"Close"}},"merge":true},{"command":"modal_display","title":"","output":"\r\n\u003Carticle id=\u0022node-996\u0022 class=\u0022popup node node-troupe clearfix\u0022 about=\u0022\/ru\/node\/996\u0022 typeof=\u0022sioc:Item foaf:Document\u0022\u003E\r\n \u003Cdiv class=\u0022col-1\u0022\u003E\r\n \r\n\u003Cul class=\u0022bxslider\u0022\u003E\r\n \u003Cli\u003E\r\n \u003Cdiv class=\u0022photo-big\u0022 style=\u0022background: url(http:\/\/yacobsonballet.ru\/sites\/default\/files\/styles\/photo_big\/public\/troupe\/andrey-gudyma.jpg?itok=yV6mkoje) center center no-repeat; background-size: contain\u0022\u003E\u003C\/div\u003E\r\n \u003C\/li\u003E\r\n \u003C\/ul\u003E\r\n\r\n\r\n\r\n \u003C\/div\u003E\r\n \u003Cdiv class=\u0022col-2\u0022\u003E\r\n \u003Ch2\u003EAndrey Gudyma\u003C\/h2\u003E\r\n \n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden clearfix\u0022\u003E\n \u003Cp\u003E\u003Cspan style=\u0022font-size:12px\u0022\u003E\u0026bull; Recipient of the \u003Cem\u003EGolden Sofit\u003C\/em\u003E, St Petersburg\u0026rsquo;s most prestigious theatre prize (2018)\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nBorn in Saratov.\u003Cbr \/\u003E\nIn 2005, graduated from the Saratov Regional Art College (choreography department).\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nFrom 2005 to 2007, performed at the Opera and Ballet Theatre of the Rimsky-Korsakov Saint-Petersburg State Conservatory.\u003Cbr \/\u003E\nFrom 2007 to present day, has been starring as a soloist at the Saint-Petersburg State Academic Leonid Yacobson Ballet Theatre.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nHis notable performances include \u003Cem\u003ELe Spectre de la rose\u003C\/em\u003E, \u003Cem\u003EDon Quixote\u003C\/em\u003E (Espada), \u003Cem\u003ECarmen\u003C\/em\u003E (Don Jos\u0026eacute;, Garcia), \u003Cem\u003EThe Moor\u0026rsquo;s Pavane\u003C\/em\u003E (the Moor), \u003Cem\u003ETaras Bulba\u003C\/em\u003E (Hopak), and Pas de deux from \u003Cem\u003EFlames of Paris\u003C\/em\u003E.\u003C\/span\u003E\u003C\/p\u003E\n\n\u003Cp\u003E\u003Cspan style=\u0022font-size:12px\u0022\u003E\u003Cstrong\u003ECredits:\u003C\/strong\u003E\u003Cbr \/\u003E\n\u003Cem\u003EDon Quixote\u003C\/em\u003E (Espada) \u0026mdash; staged by Johan Kobborg, based on a production by Marius Petipa\u003Cbr \/\u003E\n\u003Cem\u003ESleeping Beauty\u003C\/em\u003E (Catalabutte) \u0026mdash; choreography by Marius Petipa and Jean-Guillaume Bart\u003Cbr \/\u003E\n\u003Cem\u003EGiselle\u003C\/em\u003E (Hans) \u0026mdash; choreography by Jean Coralli, Jules Perrot, and Marius Petipa\u003Cbr \/\u003E\n\u003Cem\u003ESwan Lake\u003C\/em\u003E (the Jester) \u0026mdash; choreography by Marius Petipa and Lev Ivanov\u003Cbr \/\u003E\n\u003Cem\u003EThe Nutcracker\u003C\/em\u003E (Drosselmeyer) \u0026mdash; choreography by Yuri Petukhov; \u003Cem\u003EThe Nutcracker\u003C\/em\u003E (Black Doll, The Spanish Dance, The Russian Dance) \u0026mdash; choreography by Vasili Vainonen\u003Cbr \/\u003E\n\u003Cem\u003EThe Bedbug\u003C\/em\u003E (the Boxer) \u0026mdash; choreography by Leonid Yacobson\u003Cbr \/\u003E\n\u003Cem\u003EThe Wedding Cort\u0026egrave;ge\u003C\/em\u003E (the Wealthy Groom, the Poor Groom, Rebbe) \u0026mdash; choreography by Leonid Yacobson\u003Cbr \/\u003E\n\u003Cem\u003EBaba Yaga\u003C\/em\u003E (from the \u003Cem\u003EGenre Scenes\u003C\/em\u003E cycle) \u0026mdash; choreography by Leonid Yacobson\u003Cbr \/\u003E\n\u003Cem\u003EEcstasy\u003C\/em\u003E (from the \u003Cem\u003ERodin\u003C\/em\u003E cycle) \u0026mdash; choreography by Leonid Yacobson\u003Cbr \/\u003E\n\u003Cem\u003ESextet\u003C\/em\u003E \u0026mdash; choreography by Leonid Yacobson\u003Cbr \/\u003E\n\u003Cem\u003EIn the Rhythm of Dreams\u003C\/em\u003E (from the \u003Cem\u003EFaces of Modern Choreography\u003C\/em\u003E recital) \u0026mdash; choreography by Anton Pimonov\u003Cbr \/\u003E\n\u003Cem\u003EIberia\u003C\/em\u003E (Rowdy Fellow) (from the \u003Cem\u003EFaces of Modern Choreography\u003C\/em\u003E recital) \u0026mdash; choreography by Anton Pimonov\u003Cbr \/\u003E\n\u003Cem\u003ERomeo and Juliet\u003C\/em\u003E (Tybalt) \u0026mdash; choreography by Anton Pimonov\u003Cbr \/\u003E\n\u003Cem\u003ESpartacus\u003C\/em\u003E (The African) \u0026mdash; choreography by Leonid Yacobson\u003C\/span\u003E\u003C\/p\u003E\n\n\u003Cp\u003E\u003Cspan style=\u0022font-size:12px\u0022\u003E\u003Cstrong\u003EDuring the Alternativa (\u0026#39;Alternative\u0026#39;) Dance Festival:\u003C\/strong\u003E\u003Cbr \/\u003E\n\u003Cem\u003EFairy-Tale\u003C\/em\u003E \u0026mdash; choreography by Pyotr Bazaron\u003Cbr \/\u003E\n\u003Cem\u003E2012\u003C\/em\u003E (the Shaman) \u0026mdash; choreography by Larisa Ivanova\u003C\/span\u003E\u003C\/p\u003E\n \u003C\/div\u003E\n \u003C\/div\u003E\r\n\u003C\/article\u003E"},{"command":"invoke","selector":null,"method":"applyBxSlider","arguments":[]}]